Brantley gilbert albums and songs
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In one song he shouts out to AC/DC amidst a roll call of country influences. Writers Amy Wadge, Andrew DeRoberts, Blake Chaffin & 14 more. This Georgia boy also frequently incorporates classic hard rock into his music. 19 on Billboard's country album chart the title track tells the story of a 2005 truck crash that almost killed him. Gilbert's follow-up album, Halfway to Heaven came out in 2010 and climbed to No. Average Joe's, the imprint that eventually put it out, is also the home of hick-hop rapper Colt Ford, who cowrote "Dirt Road Anthem" with Gilbert (the song has now been recorded by both artists, and by Aldean as well).
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By then, the song was at least four years old that first album was once slated for release in 2006, before label problems got in the way. But as a songwriter, Gilbert has already broken through: Jason Aldean's cover of "My Kinda Party," originally included on Gilbert's 2009 debut, became a Top Five country hit in 2010. Time will tell, though certainly other guys in his general post-Mellencamp heartland roughneck neighborhood (say, Eric Church) have scored country hits. Gilbert is hardly a savant - there's a clear indication he knows what he's doing - but he's not writing for an audience, he's inhabiting his time and speaking plainly and clearly, and that's why Just as I Am works so well he's an outlaw with no desire to rebel, an insider who doesn't belong, so his music exists just outside of the perimeters of what is accepted and is all the more powerful for it.Brantley Gilbert may or may not make music too raw and rowdy for Nashville success. This tension gives Just as I Am energy, but its endurance is due to his craft he's smart and sharp, playing with conventions and revealing the truths in their cliches, perhaps not even wittingly. He's big, strong, and muscular, creating a roar grounded in '70s outlaw and '80s arena rock, but Gilbert is nervy, loving his well-known heritage but never wanting to succumb to the quirks everybody else knows. He's not carrying the torch for any specific singer or songwriter but rather an attitude, standing for the guy who'd rather tear things up than recede into the corner. He soldiers on, playing music that seems grounded and present in its era, even as it references older sounds, perhaps even styles he's never grasped. Gilbert doesn't romanticize, which is what gives Just as I Am its resonance: he's an unfussy songwriter, a singer without affection, a musician with good instincts that never celebrate his taste. Unlike Eric Church - a singer who certainly influenced this 2014 set - Gilbert neither favors the sheer noise of arena rock nor celebrates the swaggering outsider stance of Church. It's a muscular and knowing collection of contemporary country - country that feels rooted in wayward traditions while still nodding at the conventions of Nashville. He may live in the same world as Luke Bryan, but he's not pining for a past he never experienced, not even when he's singing about how his baby is Guns N' Roses, a band who had their breakthrough two years after his birth - he's a sober-minded singer whose breakthrough hit "Bottoms Up" marched to a minor-key riff that echoes throughout Just as I Am, Gilbert's second major-label album. That may mean he favors amplification - every song on Just as I Am feels cranked to 11, even the heartbroken ballads - but he's not a guy who lives in the suburbs, strutting in tight jeans as he sings about trucks. Gilbert does welcome comparisons to Waylon and Willie - the former more than the latter he does really like such niceties as swing or jazz - but he's a child of the '80s, raised on arena rock and volume the first Hank he knew was Jr., not Sr. Its title is a shrug, but it's also defiant, an admission that Brantley Gilbert can't be anything but who he is - a stance adopted by outlaw country singers since the early '70s, or perhaps earlier.